The roster runs the whole Swiss songbook: a Eurovision host, a yodeler fronting a family band, an innovative folk accordionist, French-language slam pop, Afro-Iraqi fusion and Albanian-Swiss rap on a major label. Language and genre targeting here is real, not cosmetic.
Eleven of the 25 are working DJs and producers, and the index treats them differently from the stage names: they cluster in the C grades on clean, majority-Swiss micro audiences, while the performers take the A grades on reach multiples. Nightlife briefs and brand campaigns are shopping different halves of this page.
The reaction leaders are not the famous names: a mashup DJ and an events singer run engagement fifteen to twenty-three times the Swiss median, far past every stage act here. Where a campaign wants conversation rather than reach, the middle of this table outperforms its top.