Read the operators, and the market structure appears. Two of the twenty accounts belong to Brazilian retailers, five to modelling studios that sell placements, two to one toy company's character universe, and two to the narrative world that began with Miquela.
The country-first wave is the newest layer: Rozy, Kyra and Kenza Layli are each marketed on being their market's first virtual persona, which tells you where operators expect the next demand.
The metrics carry one honest warning. Follower counts here are real and verifiable, but engagement on virtual accounts rewards story over polish: the two accounts whose audiences respond most, K/DA and Bermuda, post narrative moments rather than daily content. A brand brief that treats a virtual persona as a cheaper photo model uses the weakest part of the format.